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* Suture Self by Mary Daheim (17)

This book is another lesson in "Amanda's tastes have changed as she's gotten older." I read Daheim when I first started getting into mysteries, and I liked her. Now, mostly I see a whiny main character that grates on my nerves, a childish bitch of a sidekick who I repeatedly want to throttle, and a plot resolution so ridiculous I groaned and wished I hadn't bothered with the book at all.

* All Around The Town by Mary Higgins Clark (18)

The polar opposite of Suture Self-- I started reading it, and as soon as I realized that the main suspect has multiple personalities, I was sorely tempted to just put the book down and walk away. I *hate* multiple personalities in stories-- they're so rarely portrayed like actual MPD sufferers, and it's soooo easy to end up pinning the murder on one of the "hidden" personalities.

The general story was well-written up to that point, and there were some intriguing points of view being shown, so I stuck with it. Clark did not disappoint me-- the twists and turns kept me guessing, alternating between "oh, I bet that person did it" and "oh crap, she's going to make it a hidden personality after all." By the time I got to the end, there was enough reasonable doubt that I would have been satisfied with any one of several endings.

But there's still a "magic cure" for MPD and people get better right away when the initial cause of the psychotic break is removed. So minus one star for that bullshit.

* The Stepsister Scheme by Jim C. Hines (19)

Strong female characters, going out and kicking ass. Based on familiar fairy tales, but with a different perspective. I wanted to like this story SO much. I wanted to love this book.

I don't love this book. I don't hate it, but it's missing an essential spark that I can't quite explain. The characters have some actual depth to them (except Snow White's mother, who is just eats-puppies-and-kittens evil) and the three main characters manage to have a bit of character growth. But...... I dunno. Things end up feeling a little bit pat, even though Hines goes to great lengths to make them complex. Cinderella's dead mother is far too much of a Deus Ex Machina. Talia is just a little TOO skillful, even though the explanation given makes sense given her history. They go too many places, with too many things happening all at once-- I almost feel like it should have been two books with more description and side interests and character growth in between.

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